joi, 10 iulie 2014

Everybody Needs Local SEO

Everybody Needs Local SEO


Everybody Needs Local SEO

Posted: 09 Jul 2014 05:13 PM PDT

Posted by Greg_Gifford

If you work in the SEO industry, you need to understand how to do Local SEO. Seriously.. I'm not kidding here... If you're sitting there thinking "Um, no... not really" - then you're exactly the person I'm writing this post for.

If you haven't already, I can pretty much guarantee you that at some point in your SEO career, you're going to do some SEO for a business that has a physical storefront. BOOM - that means Local SEO. Sure, you've still got to do all the traditional SEO things that you do every day for all your clients, but when you're talking about a physical location, Local SEO is absolutely necessary.

If you're thinking "But Greg - If I do all the SEO stuff I'm supposed to do, I'll still get the site to rank organically..." - you still aren't getting it. If you add some Local SEO to the mix, you can show up in organic results AND the map pack (clients love that, so you should too). Plus, showing up in the map pack or the Local Carousel is incredibly important when a business is trying to pull in customers from the immediate area. Also, the map pack results show up ABOVE the organic results on mobile, and we all know that mobile is blowing up.

So if you've never paid any attention to Local SEO, it's time to start lifting, bro. I'm going to give you a simple workout plan to help you beef up your Local SEO muscles, and with a little practice, you'll be playing with the big boys in no time.

You should already know how to optimize a website, and if you don't, there are a ton of awesome posts here on Moz. When you're working on your optimizations, there are some important elements that you need to concentrate on for Local SEO. These elements are extremely important on your landing pages for your Google Plus Local listings (more commonly known now as "Google My Business Places Plus Local For Business"). If your business has multiple locations, you should have a unique location landing page for each Google Plus Local listing. you're dealing with a single location, then we're talking about your home page - but these elements should also be locally optimized on product and services pages. 

  1. City and state in the title tag. Arguably one of the most important places to include city/state information. We've seen many small businesses jump up in local rankings from this alone.
  2. City and state in H1 heading. Hold on, don't interrupt. I know it doesn't HAVE to be an H1 heading... So whatever heading you've got on the page, it's important to also have your city/state info included.
  3. City and state in URL. Obviously, this can't happen on your home page, but on other pages, including the city/state info in the URL can be a powerful signal of local relevance.
  4. City and state in content. Clearly, it's important to include your city/state info in your content.
  5. City and state in alt tags. We see far too many local business sites that don't even use alt text on their images. Make sure you've got alt text on all your images, and make sure that you're including city/state info in your alt text.
  6. City and state in meta description. Yes, we all know that the meta description doesn't play into the ranking algorithm... but including city/state info can really boost clickthrough rate for local search results.
  7. Include an embedded Google Map. Including an embedded Google Map is important too, but PLEASE make sure you do it correctly. You don't want to just embed a map that points to your address... You want to embed a map that points to your actual Google Plus Local listing.

Most of the Local SEOs who really live and breathe local agree that citations aren't the amazing powerful weapon that they used to be... but that doesn't mean they're not still incredibly important. If you don't know what a citation is, it's commonly referred to as NAP information in Local SEO circles - Name, Address, and Phone number. Google expects local businesses to have their NAP information on certain other websites (Yelp, social media sites, etc.), so if you don't have citations on the important sites, or your citation information is incorrect, it can really hurt how your business is ranking.

While they're not the silver bullet for rankings that they used to be, they're still an important signal for local relevancy. Here's may favorite example... We were hired to do the SEO for a car dealership just outside of New Orleans last fall. The dealer spent tons of money on radio and TV ads and was very well known in the local area, but he didn't understand why he wasn't showing up in local searches.

Within about 30 seconds of looking at his site, we knew exactly what the problem was. The correct spelling of his dealership name is "Deal'N Doug's Autoplex" - but he had his own business name misspelled five different ways on his home page alone:

  • Dean'N Dougs Autoplex
  • Deal' N Doug's Autoplex
  • Deal'N Doug's Auto Plex
  • Dealn Dougs Autoplex
  • Deal n Dougs Autoplex

We did a quick citation evaluation, and sure enough, he had all of those misspelled names floating around in different citations. He also had several citations for "Dealin' Doug's Autoplex" - which is grammatically how you'd expect it to be spelled.

We figured that we had the perfect opportunity for a citation experiment. All we did during the first month of work was NAP cleanup. We corrected the business name everywhere on his site, and we made sure to manually update all of the citations that were misspelled.

In just a few weeks, he went from not ranking at all to ranking in the top spot in the map pack. When the local algorithm went through the big shakeup last October, he retained the #1 map ranking and also gained a #2 organic spot. Yes, we did a lot more optimization for him after that first month, but cleaning up the name information was enough to get him to rank #1 in his city.

Working on citations can be tedious, but it's well worth the effort. There are tons of submission services out there, but we prefer to do everything manually, so we know 100% for sure that things are done correctly. Here's our citation campaign workflow:

  1. Run an initial check with Moz Local. No, I wasn't paid to say that (but if Moz wants to hook me up with some extra bacon at MozCon to thank me, I wouldn't turn it down... cough, cough). We start with a quick check on Moz Local to see the current status of a client's citations. It's a great way to see a brief overview of how their NAP information is distributed online.
  2. Fix any issues found in Moz Local. It's got all those handy links, why not use them? If there are missing citations, go get them. If you've got incomplete listings, follow the tips to update them.
  3. Run a citation search with Whitespark. Whitespark's Local Citation Finder is awesome (it's our favorite citation tool). You need to run two reports: one to check your current citations, and another to find citation opportunities. Whitespark is simply the best around for finding citation opportunities.
  4. Set up a campaign in BrightLocal. Yes, it's a bit redundant to use BrightLocal and Whitespark at the same time... but we really love their interface. You get 3 tabs of info: active citations, pending citations, and potential citations. On each citation, you can enter specific notes, which really helps you keep track of your efforts over time. When you add in new citations from your Whitespark list, you can add them in to your "pending citations" tab. When you re-run the report later, any pending citations that have become active will move over into the active list.
  5. Keep pumping reps. Over time, you'll add more citations, but you should always use Whitespark to check for new opportunities AND any incorrect NAP info that might appear. Keep your notes in BrightLocal so you can keep everything straight.

Reviews are an integral part of Local SEO, but they're also vital for local clickthroughs. Now that Google displays reviews in an isolated popup (instead of taking you to the locations Google Plus Local page), users will read your reviews before they see any other information about your business.

Our process is simple, but it works well. Here's how to get more positive reviews for any business:

  1. Set up a review page on your site. We always set up a page at domain.com/reviews for every client. It's easy for any employees to remember, and it's a simple URL to tell customers about. You don't want to ask for reviews and then expect that your customers will be able to search for you on Google, navigate to your Google Plus Local page, and find the right link to click to leave a review.

    Include simple instructions for leaving a review on the page, along with a direct link to the location's Google Plus Local page. It's also helpful to let customers know that they'll need a Google account to leave a review (and instructions for setting up a Google account if they don't have one). You should always focus on Google reviews until a business gets at least 10 reviews. Once you've got 10 reviews on Google, you can offer other options and let customers choose the review site that they're most comfortable with.

    PRO TIP: For Google reviews, include this string at the end of your Google Plus Local link:  ?hl=en&review=1
    Now, when customers click the link, the review window will automatically pop up when they land on your Google Plus Local page (so they don't have to find the link!).
  2. Create a review handout. There are several review handout generators out there online, but in our experience, most of them are a bit too complicated. Instead of showing a flowchart on the handout or giving customers several options for review sites, our review handouts simply point customers to the domain.com/reviews page that we set up. 

    This allows us to create a really nice branded postcard to hand out, and regardless of our review strategy, the card never changes. 
  3. Hand the card to every customer and ASK. You can't just hand the card over, you have to ask your customers to leave reviews. We encourage our clients to hand over the card at the last possible moment of customer interaction, so the request and the card are fresh on a customer's mind when they leave. Don't offer an incentives to leave reviews, just be honest and let your customers know that you'd truly like to hear their honest opinion about their experience

Even if your client has a ton of customers, make sure they understand that they won't get a lot of reviews. We tell our clients that 1 review a month is a perfectly acceptable pace. A steady stream of reviews over time is much more important than a quick influx.

There you have it! If you follow these simply Local SEO workout tips, you'll build your Local SEO muscle in no time. You'll be able to provide better results to your clients, which means they'll be happier... and happier clients means more long-term business. Everyone wins!


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Author Photos are Gone: Does Google Authorship Still Have Value?

Posted: 09 Jul 2014 03:30 AM PDT

Posted by MarkTraphagen

On June 25, 2014, Google's John Mueller made a shocking announcement: Google would be removing all author photos from Google search results. According to the MozCast Feature Graph, that task was fully accomplished by June 29.

In this post I will:

  • Give a brief overview of how Google Authorship got to where it is today.
  • Cover how Google Authorship now works and appears in search.
  • Offer my take on why Author photos were removed
  • Investigate the oft-repeated claims of higher CTR from author photos
  • Suggest why Google Authorship is still important, and speculate on the future of author authority in Google Search.

A Brief History of Google Authorship

The Google Authorship program has been my wheelhouse (some might say "obsession") since Google first announced support for Authorship markup in June of 2011. Since I am both an SEO and a content creator, Google certainly got my attention in that announcement when they said, "...we're looking closely at ways this markup could help us highlight authors and rank search results."

Of course, in the three years since that blog post, many search-aware marketers and content creators also jumped on the Google Authorship bandwagon. Occasional comments from prominent Google staffers that they might someday use author data as a search ranking factor, along with Bill Slawski's lucid explanations of the Google Agent Rank patent, fueled the fire of what most came to call "author rank."

Below is a video from 2011 with Matt Cutts and Othar Hansson explaining the possible significance of Authorship markup for Google at that time:

During the three years since Google announced support for rel=author markup, there have been many changes in how Authorship appeared in search results, but each change only seemed to buttress Google's continued support for and improvement of the program.

In the early days of Google Authorship, almost anyone could get the coveted face photo in search by correctly setting up Authorship markup on their content and linking to that content from their Google+ profile. As time went on, Google became pickier about showing the rich snippet, and some sort of quality criteria seemed to come into play. Still, it was not too difficult to earn the author snippet.

Then at Pubcon New Orleans in October 2013, Matt Cutts announced that in the near future, Google would start cutting back on the amount of Authorship rich snippets shown in search. He said that in tests they found when they cut out 10% to 15% of the author snippets shown, "overall quality went up." In December of that year we saw the promise fulfilled as the percentage of queries showing author photos dropped, and many individual authors either started seeing a byline-only snippet for much or all of their content, or losing Authorship snippets completely.

It was clear by then that Authorship as a search feature was a privilege, not a right, and that as much as Google seemed to want people to adopt Authorship markup, they were determined to police the quality of what was shown in search associated with that markup. But none of that prepared us for what has happened now: the complete removal of author photos from global search.

Google Authorship without Photos in Search

Here are the fundamental facts about how Authorship is used in search as of this writing:

1. The only Authorship rich snippet result now available in global search is an author byline. Google has dropped author photos entirely (except for some unique exceptions in personalized search; see below). Also, Google dropped the "in xx Google+ circles" link that showed in some cases and led to the author's Google+ profile.

authorship without profile photos

2. Author bylines now link to Google+ profiles. Previously, at least in the US, author bylines in search results linked to a unique Google search page that would show just content from that author. This feature is no longer available.

3. Qualification for an Authorship byline now is simply having correct markup. This was a bit of a surprise given Google's move last December to differentiate and highlight authors with better quality content who publish on trusted sites. But in a Google Webmaster Central Hangout on June 25, 2014, John Mueller indicated that now as long as the two-way verification (rel=author markup on the content site linked to author's Google+ profile, and a link back to the content site in the author's Google+ Contributor To links) could be correctly read by Google, a byline would likely be shown.

You can check for correct Authorship verification for any web page by entering its URL in Google's Structured Data Testing Tool. If Authorship is correctly connected for the page, you should see a result similar to this:

eric enge authorship preview

However, it is well known that this tool isn't perfect. For example, even though it shows Eric Enge's post on Copyblogger as being verified, Google has never shown an Authorship snippet for any of Eric's posts there, and even now does not show a byline for that content. Eric is a very well-known and trusted author who gets a rich snippet for all his other content on the web, and Copyblogger is certainly a reputable site. Why his content there has never displayed an Authorship snippet remains a mystery.

In the Hangout, John Mueller went on to say that in the future they may have to reevaluate showing bylines for everyone who has correct markup, once they get more experience with the byline only results. He promised that there will be continued experimentation. If they see that people are using the bylines as a gauge of how great or trustworthy an author is, that might be impetus enough to try to re-implement some kind of quality factor into whether or not one gets a byline.

So are there actually more Authorship results in search now? If Mueller is correct that Authorship snippets are now based merely on a technically-correct connection, and there is no longer any quality factor, then wouldn't we expect now to see more Authorship in search, even if only bylines? Not necessarily.

Moz's Dr. Pete Meyers shared the following with me:

So, in my data set, Authorship [measured the old way - by thumbnail photos] peaked on June 23rd at 21.2% of SERPs (in our 10K data set). Measured the new way [bylines only], Authorship is showing up around 24.0% of SERPs. That could mean that, in absence of the photos, Google has allowed it to appear more often, or it could mean that there were a handful of SERPs with byline-only Authorship before. I suspect it's the latter, but I have no data to support that.

I agree with Pete's latter guess. The fact is that from the December 2013 "purging" of Authorship in search until the recent change, there have been two kinds of Authorship results: Those with a photo and byline, and those with byline only. I called the latter "second class Authorship," and it looked like when Google ran its quality filter through the Authorship results, most lower-quality authors dropped to second class, byline-only results rather than being dropped altogether from Authorship results.

So it appears that the net result is no overall change in the amount of Authorship in search, just an elimination of a "first class" status for some authors.

4. Author photos may still be shown in personalized search for selected Google+ content. This was an unannounced change in Google search that showed up at the same time author photos were being eliminated from global (logged-out-of-Google) search. Now Google+ posts by people you follow on Google+ may sometimes show an author photo when you search while logged in to your Google+ account (personalized search).

The example below is an actual screen capture from my own logged-in search for "Google Plus for Business." Joshua Berg is in my Google+ circles, and Google shows his relevant Google+ post both elevated in the results (higher than it would occur in my logged-out results) and with his profile photo.

authorship in google+

In my testing of this, I have seen that these personalized author photos for Google+ posts are most likely to show if the author is high in the "relevancy" sort in your Google+ circles, and is someone with whom you have engaged fairly frequently.

While not Authorship related, it is interesting to note that Google+ brand pages that you circle and have engaged with may now show a brand logo snippet in personalized search for their Google+ posts. While some other parts of the world have had these branded results for a while, this is entirely new for US Google searches.

google authorship for brands

I'll have more below on what I see as the significance of these new results and what they may say about the future of Authorship and author authority in Google.

So Why Were Author Photos Removed?

So if Google was committed to continued improvement of the Authorship program, why did they drop photo snippets entirely? Was this a complete reversal, a "beginning of the end for Authorship" as some thought? Or were author photos in search simply not producing the results Google was looking for?

Before I give my take on those questions, I highly recommend Cyrus Shepard's post " Google Announced the End of Author Photos in Search: What You Should Know." I agree completely with Cyrus's take there, and won't duplicate what he covered. Rather in the rest of this post I will try to bring some added insights and informed speculations based on my intensive observation of Google's Authorship program over the past three years.

Let's start with the explanation given by John Mueller in his announcement post, linked at the beginning of this article. John said:

We've been doing lots of work to clean up the visual design of our search results, in particular creating a better mobile experience and a more consistent design across devices. As a part of this, we're simplifying the way Authorship is shown in mobile and desktop search results, removing the profile photo and circle count. (Our experiments indicate that click-through behavior on this new less-cluttered design is similar to the previous one.)

It sounds like Mueller is linking this change to Google's "mobile first" initiative. Mobile first seeks to unify, as much as possible, the user experience between desktop and mobile. It is a response to the rapid increase of mobile usage worldwide. In fact, at SMX West earlier this year Google's Matt Cutts said that he expects Google searches on mobile to exceed desktop searches before the end of 2014.

In subsequent comments on his Google+ post and elsewhere, Mueller elaborated that images in search results take up lots of bandwidth in mobile search, slowing down delivery of results on many devices. They also take up considerable screen real estate on the smaller screens of mobile devices.

But were UX and mobile concerns the only reasons for removing author photos? I seriously doubt that. If author photos were providing a significant benefit to searchers, according to Google's data, then it is likely they would have worked on some compromise that would have made them more compatible with mobile first.

Furthermore, John Mueller himself, in the aforementioned Hangout, hinted that there were other considerations involved. For example, he commented that there may have been too many author photos for some search results, and that too much of any one feature in search is not a good user experience.

My Personal Speculation. I don't doubt Mueller that demands by Google's search user experience efforts may have been the main driving force behind the removal of author photos, but as I said above, I do not think it was the only reason.

I believe that after much testing and evaluation Google may have decided that author photos for now send a disproportionate signal to searchers. That is, the photos may have been indicating an implied endorsement of result quality that Google is not yet prepared to back up.

Remember that in December we saw Google reduce the number of author photos shown in search as an attempt, according to Matt Cutts, to increase the quality of those results. However, when questioned about the concept of "author rank" (Google using author trust data to influence search results), Cutts consistently speaks about the great difficulty of evaluating such quality or trust. He elaborates that finding a way to do that remains a strong goal at Google, but he doesn't expect to see it for years to come. (For example, see my remarks on his comments at SMX Advanced last month.)

Given all that, it may be that Google, realizing that they still have a lot of work to do toward evaluating author trust and quality to a degree where they would allow those factors to influence actual search rankings, decided that even though Authorship does not currently affect rankings, the photos still might imply to searchers a trust and authority for the author of which Google could not be fully confident.

In addition, I believe that three years into the Authorship program, Google realized that they were never going to get the vast majority of authors and sites to implement Authorship markup. If author authority is to succeed as a contributor to better search results in the future, Google has to find ways to identify and verify authors and their connected content that are not tied to either markup or Google+. That also will be a long-term project.

So this may actually be merely a temporary retrenchment as Google knuckles down to the hard work of figuring out how to make author authority something truly worthwhile in search.

What About Ad Competition? When the dropping of author photos was announced, there was immediate speculation by many, including Moz's own Rand Fishkin on Twitter, that the author photos were seen as too competitive with the AdWords ads displayed in search.

rand fishkin on authorship

It's impossible to either prove or disprove such speculation, as only Google holds the data. I personally find it a little hard to believe that it came down to a zero sum game between author photos and ads. In other words, is it reasonable to think that was either/or; that author photos were so attractive and got clicked so much that when they appeared too many people totally ignored the ads?

Also, that speculation is based on the assumption that author photos were, in recent history, huge CTR magnets. In the next section I'll examine those CTR claims.

What About Author Photo CTR?

One of the most oft-repeated alleged benefits of author photos in search was that they dramatically increased click-through rates (CTR), as people were drawn to those results even if they were lower on the page.

I was as guilty as anyone else in confidently proclaiming in my online articles and conference presentations that "studies have shown" this increase in CTR for Authorship results. So it shocked me as much as anyone when John Mueller in his announcement post said, "Our experiments indicate that click-through behavior on this new less-cluttered design is similar to the previous one ."

First, we should note some ambiguities in Mueller's statement:

  • He does not actually say "click-through rate," though that's what most readers assumed he was talking about. He called it "click-through behavior," which could refer to other things, such as how quickly people bounced back to the search results after clicking an author photo result. In that case, higher CTR would not be a good thing from a search quality viewpoint.
  • He does not explicitly say that the click-through behavior was for the author photo results exclusively. It could be an evaluation of overall click behavior on search pages that included author photos.
  • This could be a reference to click behavior aggregated across all queries showing author photos. If so, then it may be that while CTR was higher for photo results in some queries, overall the effect may have been a wash.

But were we ever really sure there was as huge a CTR increase for author photo results as was frequently claimed? After investigating those claims, I'm not so sure.

  • Google themselves never made a positive claim of increased CTR for author photos. A much-cited paper by Google researchers on social annotations such as face photos in search was based only on eye-tracking studies and user interviews, not actual click behavior. It actually found that image-based social annotations were not necessarily as attractive to searchers as believed, and only were attractive under certain circumstances.
  • I found hundreds of blog posts proclaiming "30-150% increase in CTR!" for Authorship. Those all seemed to trace back to one article two years ago that cited a 30% increase of CTR for rich snippet results in general. That post did not talk about Authorship specifically, nor was it made clear exactly how they determined the 30% raise.
  • Most of the other articles or "studies" purporting to show increased CTR from Authorship are based on one-off, anecdotal evidence. In other words, the authors implemented Authorship, and then saw more organic traffic to their sites. While interesting, such correlative claims at best may demonstrate a one-off accomplishment for that particular author for particular queries, but they do not prove that there was a general, or even universal, CTR boost.
  • Testing for actual CTR boost is probably impossible outside of access to Google's own data. That's because CTR is highly volatile by ranking position, and it is impossible to know if you're comparing apples to apples. For a truly conclusive test, one would have to be able to randomly show the same result for the same query in an A/B split with half the results showing an author photo and half not. I don't see any way for us to set up such a test.
  • In the Webmaster Central Hangout mentioned previously, John Mueller hinted strongly that whatever CTR boost there may have been, Google has seen it wear away over the past couple years. He mused that it is likely people became more used to seeing author photos in search over time, and so they had less impact and drawing power. If Google sees a feature not having much effect, it is natural that they would remove it.
  • Unfortunately, the Author Stats feature in Google Webmaster Tools is no help in evaluating CTR of author photo results vs. post-author photo results. Before June 28, for me it showed hundreds of pieces of content showing in search as Authorship snippets. Since June 28, only one result shows, and that is for a Search Engine Land article I wrote that made it into Google News results, where author photos can still show. Apparently the Author Stats tool was measuring only results with author photos.

google authorship graph

All that is not to say there was never any rise in CTR for any Authorship posts. But it is to say that we never really knew for sure, and we never knew how much. Most importantly, there was never any proof that any CTR boost was universal. That is, there was no reason to assume that just because your results got an author photo, they were automatically getting a CTR boost.

So Does Google Authorship Still Matter?

In a word, yes. If Google had actually lost its enthusiasm for and commitment to author identity as a future, important aspect of search, then this would have been the time to pull the band aid all the way off, rather than just removing photos. But, in fact, Authorship still works in search.

Let me conclude with some reasons why I think Authorship still has value, and that author authority is still a major priority for Google search.

1. Authors still matter. The bylines are an indication that Google still cares who created a piece of content, and thinks that is significant and useful information for searchers. Every pixel of a search result is very valuable real estate. Google realizes that, and is still willing to give up some of that territory to an author's name.

2. Bylines are not invisible. Sure no one believes that a byline might capture the eye of someone viewing a search page to the same degree that a face photo probably did, but it does not follow that bylines are without value. More and more SEOs are advising their clients to optimize the meta descriptions for their pages. Why? Not because they are a ranking factor (they are not), but because they can have a significant effect on "selling" the searcher on clicking that result.

We're used to hearing that the number one result for a given query usually gets the most clicks by far. But it doesn't get all the clicks, and on some queries the top result may not be as attractive as on others. If we all believed the top result was always the best, wouldn't we just click that "Feeling lucky?" button on Google's home page?

The truth is that when the title of the top result doesn't immediately grab the searcher as a sure thing to fulfill her search need, she will begin looking for other clues in the other results. Among those will be the descriptive text under the results. When an author's name appears there, it may move the searcher to think the result is more reliable (written by a "real person"). And if that person is someone already known to and trusted by the searcher, the value goes up significantly.

3. Author and brand images now in personalized search. While limited in appearance, the fact that Google now will sometimes show an author photo or a brand image for Google+ content in personalized search indicates that they have not at all abandoned the idea that such image results can have value. It may be that they see that such highly-personalized recommendations have real value to searchers. It makes sense that if I regularly engage with Rand Fishkin on Google+, I will be more likely to value his content when I do a logged-in search with a relevant query.

This may have implications for the future of author authority in search in general. It is conceivable that even if Google does implement it and expand it for content beyond Google+ posts, that it will remain highly personalized. In other words, Google may decide that it is most reliable to boost authors with whom you already have some affinity.

4. Authorship still builds your author rank database with Google. Using Authorship markup on your best content is still the clearest way to let Google see what you create and how people respond to it. You can be sure that Google has been tracking such data all along, and will continue to do so. Even if author authority is still not a ranking factor (outside of personalized search, and some search features such as In-Depth Articles), it likely will be someday. When that day comes, if Google has a clear history of your growth as a trusted author in your field, you may have a competitive advantage.

5. Google remains committed to author authority as a search factor. As recently as SMX Advanced in May, just a few weeks before the announcement of the end of author photos, Google's Matt Cutts reiterated his enthusiasm for author authority, while noting that it was a difficult and long-term project. For a transcript of his remarks, see my post here. Google understands that people are wired to trust other people long before they trust "brands" or websites.


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The simplest guide to better blogger partnerships – Part 2

The simplest guide to better blogger partnerships – Part 2

Link to White.net

The simplest guide to better blogger partnerships – Part 2

Posted: 10 Jul 2014 01:10 AM PDT

Before you start, I know the above picture (of Walter Johnson and Calvin Coolidge shaking hands after the Senators won the AL in 1924, which I subsequently edited) is a huge generalisation of the relationship between brands and bloggers, but I put it here because it made me laugh. Go on, laugh at it as well, it’s okay.

Hello there again. If you remember, a few weeks back I published Part 1 of a post all about how to work with bloggers. As promised, here is part 2 for your reading satisfaction. As it's quite long, I've included a little-known fact at the end of the post for you, as some sort of half-baked motivation to read the whole thing (but don’t just scroll to the bottom, that’s cheating). So enjoy!

 

So how do you find the blogs you want to work with?

If you've decided that you want to work with a blogger as part of your, or your client's, strategy, the next step you need to take is to identify all the relevant blogs you want to contact about potential partnerships and opportunities. For large companies, this may be just the one, well-known blogger, but for smaller companies and start-ups, this could be a number of blogs, ranging anywhere from five to twenty-five, to more.

A week ago I was fortunate enough to attend a workshop all about working with bloggers, run by Julie Falconer for General Assembly, and in her presentation she detailed the three Rs of identifying relevant blogs: Research, Relevance, and Reputation. I thought I'd share these with you, as I found them incredibly helpful.

 

  • Research

This is all about how you search for blogs to contact. Now the likelihood is that you will go straight to your nearest search engine and start searching away, and by no means is this a bad idea. If anything, it's likely the best place to find blogs. But there are also some methods beside search engines that you may not have thought of, as Julie listed.

Social Media

Many, if not most, bloggers are not only active in the blogosphere, but on social media too. Whether it's Twitter, Facebook, or Instagram, many bloggers will probably be more active on social media, so having a search on these platforms is always a great idea, if not an essential part of your research. If you have access to tools such as Followerwonk then use them!

Another interesting tip that Julie gave was to ask the question on social media. Don't be afraid to tweet 'Can anyone recommend a good x blogger?' Have a look for relevant hashtags and use them too; you'll be surprised at the amount of responses.

Lists

Many bloggers include blogrolls and lists on their sites of their favourite blogs and bloggers. These are great places to find relevant blogs in the industry you're targeting. There are also websites that compile these lists. Cision, for example, have a plethora of top blogger lists and, while they may not all be up-to-date, they can still be a great resource.

PRs

PR officers often work with bloggers for product launches and other marketing campaigns. If you know one (or you're not too afraid to ask one out of the blue), see if they have any contacts they could put you in touch with. PRs often have their own list of bloggers, so they can be a great source for research.

Word of mouth

Not a guaranteed source, but why not ask? You never know who you might discover.

Note: Always have a check of their metrics too. Check their Domain Authority and PageRank, as well as their social metrics, such as followers and likes. You may want to avoid blogs with a low Page Rank, especially those with -1…

 

  • Relevance

So, let's assume you've collected your list of blogs. It's now time to dig a little deeper and have a good look at their on-site content. Checking for relevance is key to ensuring you only contact websites that are truly pertinent to your market and that may actually want to review your product or services. So what do you analyse?

Content

Don't just assume the blogger is right for you because of the name of their blog. Read a range of their posts to make sure that their actual content is relevant to your market and whether your product or service would fit in with what they regularly write about.

Demographic

Who the blog markets itself to is vital. If you're promoting new technological equipment, a blog aimed at over 55s might not be the best fit. Yes, I'm making assumptions, but you catch my drift. Look at their 'About Me' section, this is usually a good starting place to find out about who the blog is for. Also, read the posts and the comments, these can be useful audience insights.

If they have one, a media kit can give you a detailed picture of the blog's demographic. It also shows they mean business.

Geography

Finally, always check where your blog is marketing to. There's no point partnering up with a US based blog (that markets itself to US citizens) to promote your new range of English Tea. Okay, brand awareness is all well and good, but it's useless if it's in a country you don't ship to or provide your services to.

 

  • Reputation

The final of the three Rs is Reputation. Once you've done your research, identified a blog/blogs and checked they're relevant for your industry, it's time to evaluate whether they're reputable enough. This isn't always easy, and you can't just outright ask them what their reputation is like. Fortunately, there are a few methods you can use to help make up your mind.

Reliability

An easy check to do, is to look for some of their most recent product/service reviews. Do they say when they were offered the opportunity to do the review? If they say they received the product in late November, but only wrote about it in January, you may need to be slightly cautious.

Examples of previous work

Try to find an example of some previous work that they have done for a client and evaluate it. Is it of a good standard? Would your product fit in with this format? Do they use profanity? If you can't find one, ask them if they have any and, if so, whether you might see an example.

Outsourcing

Some of the bigger, more popular blogs may outsource work to other writers. If you're not sure, ask them if they do and, if so, who it is they would outsource it to. You could also ask to see examples of their work, just to be sure it's what you're looking for.

Word of mouth

Again, it's not always possible, but you never know! You could even ask other bloggers if you're really not sure!

 

Okay, I've got my list, how do I approach them?

Approaching bloggers is a delicate task. If you don't get it right the first time, they might not notice or, for that matter, even want to reply to your attempt at contact. It's hard to know what's worse. It's incredibly easy to not get noticed by bloggers, especially the bigger ones that likely receive dozens of request a day. So here are a few tips to help.

Approach them as equals

When you contact your bloggers, approach them as a business partner. Treating them like a fan, or even telling them that they've been 'selected', is a sure fire way of patronising them, and ultimately ruining any potential promotional opportunities.

Get the email right

In the majority of cases, it's more than likely you'll use the medium of email to contact potential bloggers and, if you do, you've got to make sure it's nigh perfect. The first, and in many cases the most important, aspect of your email that you need to perfect is the subject line. You need a solid one that, ideally, should include a killer call to action. Don't be afraid to be direct in the subject line; it's okay to start it with 'INVITATION:' or 'PAID OPPORTUNITY:'. Doing this gives you a better chance of the blogger noticing your email immediately and, hopefully, not discarding it to their junk, like one of Taylor Swift's fleeting relationships.

Secondly, make sure each email is personalised. If the first thing the blogger reads is 'Dear Blogger', or worse 'Dear (Insert Blogger here)', then you can guarantee the email is going straight to their junk folder. Also, ensure you keep a consistent font and style to your email. If the body is written in Helvetica, make sure your blogger's name and email address aren't in blue Calibri; this stinks of copy and paste and just looks damn tacky. If your email is written in Comic Sans, I bid you good luck, you brave soul.

Finally, make sure what you've written is persuasive, yet genuine. Start with a warm introduction but don't waffle. Be enthusiastic and get straight to the point of telling them what you're offering before you tell them about your brand; you want them intrigued immediately. Read their blog, and let them know you have. Bloggers will appreciate your feedback and will be more willing to work with someone who is genuinely interested. Even a simple line such as 'I read your recent article about…' can go a long way. You should also be clear and direct about what you're offering. Keep it short and sweet, but be realistic about what they will get from your relationship.

Be social

The majority of bloggers will be involved on social media, so you should be involved too. Before you contact them, find them on Twitter (if they have it) and follow them. Simple actions like 'favouriting', retweeting, and replying to their tweets can help develop an early relationship so that when you come to contact them for real, they'll already know who you are.

 

So was it a success?

Let's look to the future for a minute. Imagine you've used all these tips, and you've found and contacted your bloggers. They agreed to work with you and subsequently each blogger posted reviews about your product/service. You now need to discover whether all your effort was a success, and worth the time and resources spent on it. Often it's easy to get a top-level sense of whether it has been a success or not. For instance, you might have kept an eye on the linking articles and the response they had received. There are many ways to measure your ROI and, depending on your business goals, they might all apply, or just the one. Below are some of the important factors you might measure.

Sales and Traffic

If you've got a Google Analytics package, it's easy to monitor how many views a certain page has had, as well as the medium and source these views have come from.

Brand Awareness

It's not always easy to gauge an increase in brand awareness, but you can look at your social metrics, number of new followers, tweets etc. You could also look at the number of site views and new users in the period following the marketing campaign. If views are higher and staying higher, this may be a good marker for brand awareness.

Event Attendance

An easy way to gauge if your event has been a success is to simply look at attendance numbers. You could also look at number of new followers, tweets, and interactions with the brand during the event for a more in-depth view.


So there we go. You got to the end, kudos to you! Here's your fun fact: Turtles can breathe through their butt. Interesting eh? (If you just scrolled down without reading the post, shame on you. Shame I say!)

There are a plethora of ways to work with bloggers, and what may work for one, may not for another. So don't just dive in, take some time to do your research. Whether it's looking at the quality of their content or simply their blog statistics, some research is better than none.

This is definitely not the definitive guide to blogging, but hey one day in the future it may be.

Have I missed anything? Have I got something completely wrong? Got a tip you want to share? Let me know if I have, I'd love to hear from you! Feel free to comment below or find me over on Twitter at @robertjmcgill

 

The post The simplest guide to better blogger partnerships – Part 2 appeared first on White.net.

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Seth's Blog : Thirty years of projects

 

Thirty years of projects

I realized the other day that most people grow up thinking in terms of professional affiliations. "I'm going to be an accountant." "I'm going to work for General Dynamics."

Somehow, I always thought of my career as a series of projects, not jobs. Projects... things to be invented, funded and shipped. Sometimes they take on a life of their own and last, other times, they flare and fade. But projects, one after the other, mark my career. Lucky for me, the world cooperated and our entire culture shifted from one based on long-term affilitations (you know, 'jobs') to projects.

I had a two-part approach to building a career about projects. The first was to find a partner who was willing to own the lion's share of the upside in exchange for advancing resources allowing me to create the work (but always keeping equity in the project, not doing it merely for hire). Publishers are good at this, and it enabled me to bootstrap my way to scale. The second was to grow a network, technology and the confidence to be able to take on projects too big for the typical solo venture. Complicated projects, on time, is a niche that's not very crowded...

The stages of a project—being stuck, seeing an outcome, sharing a vision, being rejected, finding a home, building it, editing it, launching it, planting the seeds for growth—I'm thrilled it's a cycle I've been able to repeat hundreds of times over the years.

There's a difference between signing on to someone else's project and starting your own. The impresario mindset of initiation and improvisation are at the heart of the project. It's yours, you own it. Might as well do something you're proud of, and something that matters, because it's your gig.

Over time, the project world has changed. Thanks to digital tools, it's cheaper than ever to build and launch something based on content. Distribution is far faster and cheaper as well. We used to need a publishing partner or a partner with a platform (a record label, a media company...) to get the word out; now, in many cases, this adds time and hassle without creating sufficient benefit. Because it's easier to launch, we can spend more time focusing on what the audience wants, as opposed to merely pleasing (and pitching) the middleman. On the other hand, that makes it a lot harder to dig in and create, because there isn't that moment where someone says, "yep, I'll publish it..."

For me, the trick is not to represent the client, or the publisher, or the merchant. The trick is to represent the project, to speak up for the project, to turn it into what it needs to be. And over the years, I've found the each project gets just a little more personal than the one that came before.

The lack of a gatekeeper presents a fascinating shift, now. It used to be that the gatekeeper was somewhat of a partner, a ying to your yang, a safe way to find out something might not resonate. Now, it's so much easier to go straight to market that we need to find our own internal compass, something to replace the external one we all used to depend upon...

Here are a handful of the projects I've created and shipped over the last three decades--not my favorites, necessarily, or the biggest, but ones that indicate where I was when I was doing them. This is way more self-referential than I'm usually comfortable with, but the combination of timing and the specifics that come from the example made me think it was worth posting a chronology. Happy anniversary, and thanks for letting me create...

1984—Telarium, a huge project that started my path with a flourish. I was incredibly lucky to be given the resources to create something magical by David and Bill. A story for another day, but it took me a long time to again come close to an experience like this one.

1985—Tennis and golf on VCR, British video games on floppy disk and other Spinnaker projects. 

1986—Business Rules of Thumb, my first book. Followed by 900 rejections in a row, 30 projects dead, including The Fortune Cookie Construction Set and How to Hypnotize Your Friends and Make Them Act Like Chickens.

1987—The Select Guide to Law Firms, an ad-supported directory of fancy law firms given to the most elite law students in the country. I learned an enormous amount about direct mail, rejection and lawyers from this project. It ran for three editions and kept me in business during several really lean years.

1988—Isaac Asimov's Robots, a VCR mystery game. Siskel and Ebert gave it two thumbs up... This one was a leap in complexity, involving Doubleday, Kodak, Asimov, game designers, packaging designers, an editor, a union cast, and yes, robots. Or at least people in robot costumes.

1989—Score More Points, a series of VCR tapes that taught kids how to cheat at Nintendo games. I was certainly waiting for the web to arrive, but it hadn't, yet.

1990—Guts, an online game for Prodigy, launched. It was one of the most popular online promotions of its time, and it contained thousands of hand-built trivia questions incorporated into several different editions of the game. This was a chance to see how much content added to technology, and how it could leverage and spread ideas.

1991—The Worlds of Power series. It took me more than three years to get all the licenses I needed to launch this series of novels, each based on a video game that was popular on Nintendo. We sold more than a million of them.

1992—One day, I saw that Cliffs Notes had published a list of their most popular notes. Using the 80/20 rule as a guide, I realized that the top 30 titles probably accounted for more than 95% of their sales. Hence: Quicklit, a book that should have been incredibly popular, but wasn't. Betting that high school students would plan ahead was a bad idea. I also had the delightful opportunity to work with a giant, Walter Dean Myers, in creating a series of novels for overlooked young adults. Walter died last week, and his impact on millions of kids can't possibly be overstated.

1993—In between multi-year, complex projects, we found time to do things a bit more lighthearted. The Smiley Dictionary started as a phone call with my friend and colleague Michael Cader, was sold the next week and finished a week after that. Without a doubt, my time would have been better spent building a search engine.

[During this seven-year peak period of making over 100 books, my team and I got about a dozen rejection letters a week, or 500 a year, relentlessly, year after year. They were rejections from people who reject things for a living. I wasn't spamming people, I was submitting proposals to people who wanted to get them. This is a useful lesson for project creators...]

1994—This one stretched my philosophy of scaling up to take on bigger book projects. The original Information Please Business Almanac was almost 800 pages of densely-packed facts, advice, resources and more. Five full-time editors worked together (in my attic) and we built a desktop publishing system to collate and manage all the data we organized and presented. Too bad the web made us obsolete, because we were the easiest way to find the phone number for the Honolulu Public Library (open late!). We did this at the same time we built The Guerrilla Marketing Handbook.

1995—For more than five years, I patiently courted Stanley Kaplan (the person) about turning his iconic brand into a series of test prep books. After an arduous development process, we finally launched with five titles (the best part were the cartoons from Bizarro)...

1996—At Yoyodyne, we built an organization that excelled at inventing and launching projects. We created the first million-dollar online sweepstakes, as well as a growing series of promotions from American Express, P&G and others.

1997—The Bootstrapper's Bible was a great idea, and after a few years, I got the rights back and decided to share an abridged edition online for free.

1998—This was a peak year for project craziness, with books and online projects coming out at a feverish pace. At one point, I did project presentations in three different states in one day. I finally (and painfully) realized that entrepreneurs were different from freelancers, sold my companies and shifted gears.

1999—Permission Marketing was, after creating and launching 120 books, seen as my first 'real' book, a solo effort that was marketed the way most books are. I also started writing columns for Fast Company, a monthly launch discipline that suited my need to invent and ship.

2000—Unleashing the Ideavirus was launched, no publisher, no bookstores, no revenue. I went on to quickly create and self-publish a hardcover which became a bestseller, proving to me that the world of projects was going to be different from now on. 

2001—I spent ten hours a day, just about every day, researching and writing Survival is Not Enough

2002—The CD patents were expiring, and Sony launched SACD but forgot to produce original music in that format. I launched Zoomtone records as an experiment with some passionate and talented musicians. Alas, the high-end stereo community wasn't interested.

2003—My first TED talk, Purple Cow in a milk carton and Really Bad Powerpoint all shipped.

2004—This is the year, a decade ago, when this blog really hit its stride, and when it became clear that connecting people online was a useful and powerful platform. I launched the Bull Market ebook as well as Free Prize Inside, a book about how to make a purple cow. The book came in a cereal box, which probably gilded the lily and certainly didn't make bookstores happy. Also! As a summer project, launched Changethis.com, which thrives to this day.

2005—All Marketers are Liars is published, a lousy title for a really important idea. We started Squidoo as a summer project.

2006—This is Broken, a talk I gave exactly once, took months to create. I'm glad Mark filmed it.

2007—The Dip, my shortest book, with the most impact per page by far, launches.

2008—Launched Tribes, a significant shift in my writing focus. If marketing is everything that an organization does that changes perceptions, then leadership is the most important marketing tool. Doing the right thing is at least as important as knowing what the right thing is.

2009—The six month MBA. What a project, one that continues to weave a web of friends, passion and change. We sat together in my office every day for six months, and it directly led to significant shifts in thinking for all of us. Also, unrelated, mini me went to the Minnesota State Fair.

2010—Linchpin was published. This might be my book project that has had the biggest impact. Followed it up with a self-organized event in NYC and then Chicago. Once again, the world says to the project creator... go ahead, pick yourself.

2011—Started as a summer project in 2010, 2011 was devoted to launching a dozen Domino Project books. Each was a bestseller, with special editions, letterpress and experiments in design, pricing and distribution. Publishing the master, Steve Pressfield, was one of my all-time career highlights. After a year of launches, the books remain, but new work goes elsewhere.

2012—The key project of the year was my Kickstarter project, launching four books at the same time (this is not recommended). I learned a lot in closing the circle and turning the reader into the middleman. Writing, designing, marketing and trafficking the four books required most of what I've learned in thirty years. If you're considering a Kickstarter (just one book, please), I hope you'll read this first...

2013—On time, The Icarus Deception, V is for Vulnerable, Watcha Gonna Do With that Duck and the behemoth shipped. The craft of a project is sometimes daring to write a short little book about Smileys and let someone else print it, ship it, promote it and keep it in print for a decade, and sometimes it's about touching every element of the project by hand, hauling boxes, renting storage units and making sure the box got to New Zealand... Thanks to Bernadette Jiwa and Alex Miles Younger for being critical elements of this insane plan. Also, as a bonus, I worked with a fabulous team to build and launch Krypton Community College. (Here's a curriculum on shipping, the heart of the project life).

2014—My Skillshare courses on Entrepreneurship and Marketing both launched and became Skillshare's most successful. The HugDug project launched, raising money for charity: water, Acumen, Save the Children and other worthy causes.

I'll do another update in thirty years... What an opportunity each of us now has to create a project worth making.

       

 

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