Originality
I get two kinds of mail about this. One group points to organizations or individuals who are stealing my ideas. "Stop them!" they say. The other doesn't hesitate to point out that I've never had an original idea in my life, and that I'm merely a promotional hack.
Lewis Hyde's new book is about the nature of ideas, and how they improve with use. It turns out that anyone who produces a totally new idea, something completely out of thin air, is unlikely to be a productive artist and a lot more likely to be seen as a total loon. Every artist builds on what came before. Ben Franklin, Bill Shakespeare, Alexander Graham Bell, Martin Luther King Jr., Shepard Fairey, Ricky Jay, Maya Angelou--all thieves.
Abbey Ryan is an artist on the leading edge of the painting-a-day practice. Like all visual artists, she finds her inspiration everywhere, from the supermarket to the work of other artists. Unlike some, though, she's not reluctant to give credit to those that came before her.
For me, those that get all up in arms about sources of inspiration, the ones that misuse words like 'plagiarism' are rarely actively producing anything of value themselves. They're merely trolls, eager to join a mob instead of spending their time and energy inventing, remixing and poking. If that's all you can contribute--vague threats of lawsuits, insults and screeds--we're better off ignoring you.
And for the self-styled producer who does nothing but copy and pass things off, we're better off without you as well.
Now, more than ever, we can see the work an artist (in any medium, any endeavor) produces over time. If all an artist can do is steal, the truth will out. For the rest, though, a lifetime of consistent provocation, inspiration and generosity can't help but shine through. Inspirations and all.
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